Day 4 of SA Menswear Week
(SAMW) turned into a bodacious statement; the kind we were kind of all waiting
for. Apart from the rest, the Nigerian designers did manage to take centre
stage, as they should: constantly pushing their own boundaries, and in turn
forcing us into new perspectives on fashion – traditional and non-traditional.
Here are my moments on the last day of fashion week, Saturday, 6 February 2016:
Chulaap
The Prince of Prints didn’t
fail in the land of print. He arrived full throttle and ambushed fashion week
with another instalment of impeccably style prints. There was colour, vibrancy,
life. It was very well styled and the collaborations added fuel to the fashion
fire. There was nothing in particular that was break-through, but I do think
the original prints left a highly indulgent impression.
Orange
Culture
Lights. Camera. Action! From
the second Victor Kwen Akomaye stepped onto the ramp, whipped out his vanity
compact, fixed his face and proceeded to Naomi Campbell down the runway, it was
clear – Orange Culture had arrived. From the eclectically colourful collection
with its wintery knits and quirky accessories such as ankle guards, one could
understand and appreciate how true to form designer, Adebayo Oke-Lawal was to
who he is and his brand. Bold statements such as ‘Touch Me’, ‘See Me’ and ‘Hear
Me’ were almost used as leader points to introduce a new aspect of the
collection, whether it was colour or fabrication. From a bold 70s Yoko Ono
experience to a loose fitting masculine silhouette, Orange Culture presented a
well-designed, oversized collection that was serious about style and quality
and chilled on the boring hues of autumn winter.
Kola
Kuddus
You would not be blamed for
believing that the Kola Kuddus Couture man was one from an Islamic background.
You also would be off the trail if you understood him to be steeped in
tradition. You’d be completely bonkers though to think he could not evolve with
the times he lives in. Kola Kuddus Couture at SAMW AW16 presented what was
evidently one of the biggest moves the brand has made to date. Bolder colour
choices, interesting print decisions and design details that added a much more
feminine take on the garments usually worn by traditionalist men. Colour ranged
from orange into blue into black and white. The collection was true to form
while embracing a new chapter in its growth. Whether or not the more bolder and
feminine looks will sell, the idea has been implanted and it’s up to the Kola
Kuddus man to decide if it’s a direction he would like to explore.
Tokyo
James
Tokyo James, in partnership
with Simon & Mary on hats, Luxottica on eyewear and Nike Africa on
footwear, debuted an entirely high-end cosmopolitan man collection. The kind of
collection poised at setting the urban professional young nomad to looking the
part both at work and at play. From the bold use of colour in full red
ensembles, full canary yellows, rich purples and silver grey; to the dynamic
incorporation of furs and hand-sewn embellishments; the collection provided an
opportunity for a continental man to explore and engage fashion. Knits were
oversized and luxurious, coats made from silks and leathers and suede’s; there
was definitely no hiding the opulence. Tokyo Jame’s second collection and debut
runway showcase is definitely one meant for a man who knows plenty about
fashion, understands his own personal style and is an avid tester of the
fashion risks – it takes a brave wild man to pull this off.
Photographs by Larry English Photography.
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1 comment:
Love the Kola Kudu range!
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