A while back I came across an
image taken of three models backstage at a fashion show for a design brand
called Alphadi. For a while I kept the image, revisiting it, trying to find out
if there was something hidden within it that I needed to know. Only recently
has it passed my thinking process that maybe the reason why I’m so drawn to the
image is because it closely resembles my ideals of what fashion is about, or at
least what it’s supposed to be about.
“Fashion Designers are
responsible for both depicting the times we’re in and also reminding us of the
heritage we own and pay tribute to that.”
That was my tweet, March 7,
2013.
And I know see that that is
what has kept me going back to this image. The clothes have a sense of history;
they tell a story of past in the now and look to the future with optimism. That
is something I live for in fashion. The opportunity to tell a story. To create
a conversation. To engage fellow humans in a debate about what we communicate
to the world with what we wear and how we wear it.
There’s something riveting
about wearing so-called traditional (as supposed to typical civilian) clothing.
It’s like a physical acceptance, embrace, proclamation of your passion and/or
love. I also find it exciting because society has been so caught up with
Western influences that we have managed to slightly shun the typical dress of
Africans on this continent. The rich tapestry, the symbolic patterns, the
emotive colours used to depict different states of the human life-cycle in some
cultures. It’s all a lot more storytelling than pretty much any other
tradition/culture, maybe apart from the Asians who are also very good with
documenting life in and through fabric.
We are Africans. And without
delving into that notion, we are a nation of anecdotalists. Why do we not
encourage our designers to create a more unique narrative for us to take to the
streets? And why do we not encourage them to do it in a modern way that doesn’t
take away from the heritage but also looks to longevity in the future? Some
might say we have enough people using wax fabrics and prints in their designs,
we don’t need it and we don’t all like to wear that. But what are those wax
prints being used actually saying? Are they telling a story? Or are they mere
patterns the Dutch owned and operated company spots on location and duplicates
and resells back to Africa?
We have a deeper, much richer
history that can be translated into fashion. I haven’t seen any designer print
fabrics with the story of Africa’s evolution on it. We have rock paintings in
various locations across this continent yet I haven’t seen a single collection
featuring any of these in an anecdote the designer sells.
Anyway, it’s just all a
thought. An opinion. It’s been on my chest and in my mind for a while so I
thought I’d let it out.
No comments:
Post a Comment